Snapshot

Brandon Sanderson
February 17, 2017
E-book, approx 28,000 wds.
Buy it at a convention or find it here.

World: Classically awesome Sanderson.  

Character: A little too familiar, a little too rushed for plot twists that depend on them..  

Story: Fun but not as tight as it could be. 

X-Factor: Setting doesn’t quite carry the lack of polish. 

85% Sanderson

​Snapshot is everything we expect and love from Brandon Sanderson, just about 85% as good—and with a Hugo-award winning novella under his belt, we can’t blame this one on length.
 
Blame it instead on busyness? Sanderson’s last few novels (Calamity, Bands of Mourning) have felt rushed, perhaps because he’s fit them (and Snapshot) between working on the next volume of his opus The Stormlight Archive. For those of us deeply hooked on that one, it’s probably forgiveable. And regardless, Snapshot still hits all the high notes of Sanderson: unique setting, fun characters, and cool magic that leads to a twist-filled ending. It’s all here it’s just… sorta rushed.
 
The concept, at least, is awesome. A future police department, through unspecified means, is able to make an exact physical replica of a previous day, complete with autonomous people, deadly bullets, etc. Our main characters go into these Snapshots to gather evidence on crimes already committed, ‘before’ they’re committed, to convict criminals. So we spend the whole story inside a world that looks and feels—but isn’t—real, with the only two ‘real’ people in it shooting who they want, revealing the truth to others, and doing their best to track down criminals using real world clues. But in a world where most anything is possible, the duo’s darker past comes up, and ultimately comes between them as it only could inside a Snapshot…
 
So it’s a fun concept, and there are some twists, but it all feels unpolished. The characters are basically Wax and Wayne from the latest Mistborn series, a serious and talented lawman foiled by a goofy and carefree sidekick, only Snapshot’s lawman is haunted by a past failure. They uncover a hidden plot, and track down someone exploiting the system, but not in as quite a clever a way as we know Sanderson’s capable of—and the twist endings don’t feel quite as sudden-but-inevitable as they could, and as we know Sanderson’s capable from tighter murder-mystery plots like Shadows of Self.
 
So is it worth a read? Sure—it’s not expensive (especially given Sanderson’s stance on keeping his works DRM free), and it’s totally entertaining. Just not quite as entertaining as the author’s capable of, so it may not be the best work of his to read first (try The Emperor’s Soul), or the favorite of longtime fans (which, if you haven’t guessed by now, I am). But for everyone else, waiting impatiently for the next Stormlight book? This should tide you over—which, like Arcanum Unbounded, is likely why he put it out.